Confessions of a sick writer
I wrote a few days ago that I was near the final editing stages of my novel for children.
Now I have another hurdle has come my way: illness. Sure, it’s only a head cold with lots of sneezing, a dry throat and the beginnings of a nose like a tap that cannot be turned off. It is the season for colds and flu here in Australia, and we’ve had some bitterly cold weather of late but that doesn’t bring much comfort in the midst of the discomfort.
I am trying to edit my novel for children, now in its 7th draft. Concentrating on the editing process is challenging enough; having a head that feels like it’s stuffed full of wool doesn’t help the process. I guess I should sit back, relax and get better as quickly as I can. Then I’ll be able to fully concentrate on the task in hand.
Can’t help wishing for someone to take over for a few days so I can relax and recover. In another life – when I was a classroom teacher – I wouldn’t hesitate to get a relief teacher in to take my place, knowing that would not only hasten my recovery but also be fairer to the children in my class. They deserved to have a teacher who was least willing to be there, be reasonably competent and certainly not sneezing all over them. Where are the relief writers? Never mind.
One thing about blogging is that you can write posts ahead of time, scheduling them to appear over a period of days or even weeks. I often write blogs in blocks of time, writing 5 – 10 in one day and scheduling them to appear at set intervals. During that time I can then go on with other writing tasks. This time however, I don’t have any scheduled to appear here. Sigh. (I do have some on my other blogs – see sidebar for links to them.)
I’d better get back to that editing.
Good writing – and good health.
I’m back: Editing my novel
No Comments »7th July, 2010; Category: Master of Arts course, Novels, The Writer's Life, Writing a novel, Writing Hints
I’m back!
It has been a while since my last entry here.
Sorry about that.
I’ve been a little overwhelmed with life for a while now, but things seem to be getting back on track again, one step at a time. I have several large projects on the go which are taking – no – demanding my attention. I’m starting to chip away at them but the task sometimes looms far too large.
Having one of the coldest periods on record here in South Australia is not helping either. It is very tempting to linger in bed on these crisp, frosty mornings… and then linger some more. And my good wife spoils me by bringing me a hot cup of tea in bed some mornings. Bless her.
One of my major projects at present is finishing off my novel for children (I’ve written extensively about the process here.) I am currently working on the 7th draft and it is getting near to the final shape and form.
The editing and rewriting I am doing in the 7th draft comes from the comments made on my manuscript by my supervising lecturers. Both are experienced writers and editors and their help has been invaluable in shaping the novel into its present form. One thing I have found interesting is that their comments and suggestions are remarkably similar, even though they read the manuscript independently. They have been very picky, very critical of every word, sentence and even the whole structure of the story. This is good because it is helping me to produce the very best writing I can achieve.
Find a good critiquing friend
I would recommend that every writer find a trustworthy friend who knows about writing and how to do it well. Then get this person to critique your work. It could be a fellow writer, a neighbour, a member of a writers’ group or even someone who does this for a living. Paying someone to do this can be money well spent. I haven’t had to do that yet, but I have received much help from my lecturers (who get paid to do this) and from my writers’ groups (They do it because they like me! And I “pay” them by commenting on their writing).
Find a good editor
Along with finding someone to critique your writing I would suggest that your writing will benefit from good editing. You need to find a good editor. It can be the same person who critiques your work doesn’t have to be. I’m not talking about editors who work for publishers here. That stage comes later, after you’ve submitted the very best work you can do, and the publisher has accepted your piece for publication. I’m talking about someone with a good eye for picking up typos, spelling errors, punctuation boo-boos, grammatical blunders and structural flaws. Such a person can help you polish your work until it is perfect – or as near to that as you can. Publishers are more willing to accept your work if you make the effort to get it near perfect – so their editor has as little to do as possible.
Further reading:
- Writing a novel - the process I went through to write a novel for children as my thesis paper for my Master of Arts.
- Editing - more articles from my archives about the editing process.
Good writing.
Review: Nights in the asylum
No Comments »22nd June, 2010; Category: Authors, Books, Fiction, Master of Arts course, Novels, Reviews, Writers, Writing a novel
Nights in the asylum
Book review: Nights in the asylum by Carol Lefevre
It was suggested by my supervising lecturer that I read this novel. Last week we had the author as the guest speaker at our regular fortnightly seminar. These are usually critiquing sessions where we try to help each other with the novels we are each writing for our Masters of Arts. Carol, a quietly spoken author talked to us for nearly two hours, going into details of how she went about the writing of this and her subsequent novel. I found her discussion on the inspiration of each work to be very interesting, and a major work can stem from a simple thing such as a photograph. Interestingly, my own idea for my current novel came from a photograph.
The word “asylum” in the title has great significance. All three main characters in the story are seeking a different form of asylum, mirroring the differing meanings of the word. Miri, the main character, is seeking sanctuary from the turmoil of a failed marriage and the death of a teenage daughter. Aziz, on the run after escaping from a detention centre, is seeking political asylum. Suzette and her baby are seeking refuge from an abusive, violent husband. All three are thrown together by circumstances into the same house in an unnamed mining town in outback Australia.
One of the most intriguing elements of this novel is the constantly shifting point of view. Each section or chapter (some are short, others quite long) is headed with a name of one of the characters, mostly the major three (but sometimes even minor characters for a few pages). Each section has the story told from the point of view of the character named in the title of the section. It sounds like a complicated way of writing, but it is wonderfully effective. By dipping into the heads of each character in depth like this we get a much deeper understanding of the particular mental turmoil and physical torments faced by that character. We also gain a greater understanding of and appreciation for how they perceive other characters in the story. A very clever technique and masterfully handled by the author. It is a technique I initially grappled with and rejected when writing my novel. I knew the pitfalls and knew my skills were not equal to the task. (Read more here.)
Another major element of the story worth mentioning here is a device known as the flashback. Many writers love this technique and it can be overused and used poorly. This author has used flashback to great effect, filling in details from the past and helping the reader to more fully understand each character’s strengths and weaknesses.
There are many other wonderful aspects of this novel and I can only touch on some briefly.
- The powerful mining town mentality of the townspeople comes through strongly.
- It is worth reading just for the beautiful use of language.
- The sense of isolation for all three main characters is a brooding presence throughout.
- A sense of the inevitability of the ending carries the reader along – not wanting it to happen, but resigned to the fact that it must end that way.
Overall, a brilliantly written work, told with compassion and finesse. And it’s an entertaining read as well.
Reference:
Lefevre, Carol, 2007, Nights in the asylum, Random House Australia, North Sydney
Journal Writing
No Comments »18th May, 2010; Category: Articles, Journal Writing, The Writer's Life, Writing a novel, Young Readers
Some writers do not understand the power of regularly writing in a personal journal.
Journal writing is an excellent way of honing many writing skills that are essential to the writing process. It doesn’t matter much whether you write fiction, non-fiction, articles or blogs, regular writing practice is essential. If possible, I’d encourage all writers, especially beginner writers, to write every day, even if in the first few months or years journal writing is all you do.
I’ve kept a personal journal since July 1990. That means the 20th anniversary is coming up very soon; I must remember to celebrate it here on this blog. I write about anything that comes to mind about events and people in my life. I filled several hand written volumes at first but in recent years I have tended to use my computer. One day I might get around to printing it all out and binding the pages into booklets.
More recently I have also been keeping a writing journal. In this I have recorded the processes I have gone through in writing my stories, especially my recent novels. The journals include details of my ideas, sources of inspiration, research findings and the decisions I had to make along the way. In part you can read how I went about ‘Writing a Novel’ here.
When I was a classroom teacher I used Journal Writing as an integral part of encouraging children to write. The skills developed in my programme had some amazing results, not just with writing. I wrote about it in this article: The Power of Journal Writing – a Story of Hope.
This article relates the experience I had with one of my former students. I bring it to your attention now – especially for my many new readers who may have missed it at the time.
Good writing.
I would love to write a book
Today’s quote:
“I would love to write a book, but unfortunately, I don’t have a pen.” (Unknown source – it came to me from a Facebook friend)
We might laugh at a saying like this, but for some people, any simple excuse is enough to stop them from writing. Some common excuses are:
- I don’t have enough time.
- The timing is wrong – I’ll wait until I retire.
- I don’t have a good computer.
- I don’t know what to write about.
- I’m too busy.
- I’m too tired after a day at work.
- I have nowhere where I can write.
- I don’t have a pen.
You get the drift?
Excuses. Excuses. Excuses.
If you want to write a book, you actually have to start putting words down on paper – or at least in the hard-drive of your computer. There is no other way. Books will not write themselves. (Someone reading this in my archives in 50 years time might be able to argue that point, but I won’t be around to defend myself.)
So you want to write a book?
Good. Now stop reading this – and start writing (but don’t forget to come back here tomorrow; I’ll be waiting for you).
Good writing.
Related articles:
- Writing a novel – articles outlining how I went about writing a novel.
- A writer’s virtues: patience and persistence