Writing about hidden treasures
Some writers complain that although they want to write, they just don’t know what to write about. In another life (as a classroom teacher) I constantly heard this complaint.
I rarely have this problem. In fact, I usually have far too many things to write about. My problem is choosing which one to write about first.
There are hidden treasures lurking everywhere. You just have to open your eyes to see the possibilities for writing that can crowd in upon you every day.
Start with everyday objects and let your imagination soar:
- Make a list of twenty (or 50 or…) objects in your bedroom. Now think about one object and how it came into your life. Change this to a really bizarre story. For example, the photo on the dresser is not your mother; it is the photo of a distant relative who was married to a famous explorer or an infamous mass murderer.
- Describe three objects in the room where you are sitting now. Now pick just one of them and imagine you dug it up in the garden. How did it get into your garden, and how is it now influencing your life?
- Look in the refrigerator. Take note of one thing and write about how it came to be there. Give it a life of its own, telling the story of it existence in its own voice.
- Go outside and sit in the garden. Write about the one thing in your garden you really like (or absolutely detest). Write a conversation (or argument) between you and the object.
- Walk to the nearest park with notebook and pencil. Describe one person you passed on the way. Note how they are dressed – and change their attire into something very usual, like a grandma wearing pirate clothing. Use you imagination and let her sit with you to tell her story.
- Visit your nearest shopping center with a notebook and pen and find a seat. Pick out two people in the crowd. Try to imagine what they are saying. Give them new lives, new identities. Let them tell you their story.
- Find an old magazine or newspaper and open it at random, picking out a photo at random. Use the photo as a starting point to your story. For example, if it is a photo of a young man advertising deodorant, imagine him doing something adventurous, or heroic or courageous. Bring the photo – and the subject – to life.
Story ideas are lurking everywhere; you just have to have eyes to see them.
Good writing.
Welcome to the dark side
Today’s quote:
“Everyone is a moon and has a dark side which he never shows to anybody.”
Mark Twain
Mark Twain has touched on the very essence of what it is to be human. Yes, we do all have a ‘dark side’ – that part of our nature that rarely, if ever, sees the light of day. We may well be acutely aware of this flaw but most of us are clever actors able to hide this face from public view. Jesus, in his criticism of the religious leaders of his day, called them hypocrites because they appeared as white-washed tombs which look okay on outside, but are actually full of dead men’s bones on the inside.
As writers we can tap into this deep well of darkness. We can let the protagonist have a flaw which other characters know nothing about. This dark side can be either a motivator stirring his resolve, or it can be a burden, an obstacle preventing success.
This character flaw can be shown in various ways: through actions, through internal thoughts, through uncharacteristic responses to other characters, through subtle hints which other characters do not understand and so on.
Possibly one of the best known example is that of Luke Skywalker in the Star Wars stories. All the way through the last three movies he battles his fear. On many occasions he is urged to give in to the dark side, to allow his fears to breed hatred.
It is certainly worth digging deep within this rich vein of conflict within the nature of your main character, exploring it and then exploiting it for all its worth.
Good writing.
Editing my novel
At long last I have returned to do some concentrated editing and rewriting of the children’s novel I wrote last year. This is the novel I am writing for my Master of Arts in Creative Writing degree. It is now in its 7th draft (and counting).
You can read about how I went about the process of writing it here, including some articles outlining some of the background research, some of the considerations I needed to address and some of the problems encountered.
I had attempted to complete the novel and hand it up for assessment late last year but illness got in the way. Continued illness has hindered my progress so far this year too. After a break of over three months I am finally in a position to make a run for the finish line.
At the moment I am going through my supervisor’s notes and making changes where necessary. In many cases this involves changing a few words here and there, eliminating unnecessary words and phrases (and some ponderous sentences) and paying close attention to punctuation. It is painstaking work but very necessary. Not only do I desire a good mark but I also want to impress a publisher so much that there is no option but to snap up my manuscript and publish it.
Today I have been looking at the first few chapters. I want them to be the very best I can do. In many cases you have to win over the editor and the reader in the first chapter – sometimes even in the first page.
Some writing hints:
- Pay close attention to all punctuation marks. Get it right.
- Get rid of unnecessary words.
- Eliminate anything which does not advance the plot.
- Vary the length of your sentences.
- Make the opening scenes and chapters memorable in order to hook the reader into turning the pages.
Good writing.
Review “The Slap” by Christos Tsiolkas
The slap
I bought this novel The Slap by acclaimed Australian author Christos Tsiolkas late last year as a birthday present to myself. I had heard so much comment about the novel that I wanted to read it. It was also short listed for the 2009 Miles Franklin Literary Award and was winner of the 2009 Commonwealth Writers’ Prize, two more reasons for wanting to read it. There had been considerable media hype since its publication.
I resisted reading it for some weeks, keeping it on hold until our beach holiday just before Christmas. In the few days before starting to read it, I read Tim Winton’s The Turning. I reviewed that book yesterday. I thoroughly enjoyed Winton’s collection of stories set in Western Australia and picked up The Slap with enthusiasm. I was enjoying a prolonged holiday of reading, and, at almost 500 pages, this was a work I could really lose myself in over the holiday break.
Wrong.
From the first page I was not only disappointed, I was furious, revolted, disgusted and appalled – sometimes all at the same time.
Strengths
The premise is brilliant: a group of people living in Melbourne gather for a backyard barbecue. All is going well until one of the younger children behaves abominably and one of the adults slaps him. Trouble is – the adult is not his father. The novel is in eight parts, each told from a different person’s point of view of the same incident. Each section covers the life of the person relating the incident, the events before and after “the slap” and their reactions to the event. It affects each in various ways, and for many different reasons.
In my opinion, the only other strength of this book is the characterisation. Tsiolkas has drawn eight major characters (as well as a few minor characters) brilliantly. By the end of each section you feel that you really know the person thoroughly. In fact, you could meet any one of them at a barbecue or at the pub this weekend.
Weaknesses
From the very first page Tsiolkas sets out to shock the reader. There is frequent very coarse language, something I find very objectionable. It is also unnecessary. If it is in character, and used for the purpose of shocking the reader, then it may have a place, used occasionally. After the first two or three pages of this novel, it no longer shocks; IT IS VERY IRRITATING. And very poor writing. Couldn’t the writer think of another word?
I find the same thing in many movies and television shows these days. Otherwise brilliant films like Four Weddings and a Funeral are very much the poorer for all the coarse language. Writers: if you want to shock the viewer do it very sparingly, otherwise it no longer shocks. It is just lazy writing!
Two major themes of the novel relate to drugs and sex. It would seem to anyone from another city or country, on reading this novel, would conclude that everyone living in Melbourne is either regularly out of their brains on drugs, or out of their pants in yet another bizarre sexual activity – or both! Sure, this probably reflects the lifestyle of about 0.1% of Melbourne’s population, most of them crammed into the characters in this novel. It occurred to me that whenever the plot was wandering, or getting weak, Tsiolkas would decide to throw in more about drugs or sex. In sections it borders on the pornographic. Again, lazy writing in my opinion. This book reads like a set of interesting, well written characters in search of a good plot!
Conclusions
This novel has been praised for the quality of the writing. It has won awards and prizes. It has sold many copies and done very well for the author.
I have read many reviews of this novel, many of them praising the book and placing it on a very high pedestal indeed, saying, in effect, there should be more high quality writing like this in Australian literature.
What rubbish!
Such reviewers wouldn’t know good literature if it bit them on the nose. If this is indicative of the fine level of Australian literature, it is a major concern. Thank goodness we have the likes of Tim Winton who writes brilliantly. I look forward to reading more of his works. I’m sure I’ll never read anything else by Tsiolkas.
Offer: Anyone want to buy a ‘read-only-once-and-never-again’ book?
Going cheap.
Some thoughts about weeds and words
I needed to do some weeding in the garden recently. Our rose bed was in danger of disappearing into a jungle of tangled weeds.
Weeding in the garden is so satisfying; in a very short space of time you can see the results of your labours. The garden bed looks much better very quickly. The plants you leave behind – presumably those you want to keep – give a huge sigh of relief. ‘There is a sun after all,’ they say. Weeding improves the garden.
Too often we allow words to grow like weeds in our writing. Many words creep in unannounced and unwanted. There is the danger that they can choke out the good words. At their worst they can rob the desirable words of all the necessary moisture and nutrients for growth. Your story can wilt and die.
Be ruthless. Pull out all unnecessary words. Edit relentlessly.
And your writing will be allowed to bloom into its full potential.
Good weeding – and good writing.