Review: Nights in the asylum

Nights in the asylum

Book review: Nights in the asylum by Carol Lefevre

It was suggested by my supervising lecturer that I read this novel. Last week we had the author as the guest speaker at our regular fortnightly seminar. These are usually critiquing sessions where we try to help each other with the novels we are each writing for our Masters of Arts. Carol, a quietly spoken author talked to us for nearly two hours, going into details of how she went about the writing of this and her subsequent novel. I found her discussion on the inspiration of each work to be very interesting, and a  major work can stem from a simple thing such as a photograph. Interestingly, my own idea for my current novel came from a photograph.

The word “asylum” in the title has great significance. All three main characters in the story are seeking a different form of asylum, mirroring the differing meanings of the word. Miri, the main character, is seeking sanctuary from the turmoil of a failed marriage and the death of a teenage daughter. Aziz, on the run after escaping from a detention centre, is seeking political asylum. Suzette and her baby are seeking refuge from an abusive, violent husband. All three are thrown together by circumstances into the same house in an unnamed mining town in outback Australia.

One of the most intriguing elements of this novel is the constantly shifting point of view. Each section or chapter (some are short, others quite long) is headed with a name of one of the characters, mostly the major three (but sometimes even minor characters for a few pages). Each section has the story told from the point of view of the character named in the title of the section. It sounds like a complicated way of writing, but it is wonderfully effective. By dipping into the heads of each character in depth like this we get a much deeper understanding of the particular mental turmoil and physical torments faced by that character. We also gain a greater understanding of and appreciation for how they perceive other characters in the story. A very clever technique and masterfully handled by the author. It is a technique I initially grappled with and rejected when writing my novel. I knew the pitfalls and knew my skills were not equal to the task. (Read more here.)

Another major element of the story worth mentioning here is a device known as the flashback. Many writers love this technique and it can be overused and used poorly. This author has used flashback to great effect, filling in details from the past and helping the reader to more fully understand each character’s strengths and weaknesses.

There are many other wonderful aspects of this novel and I can only touch on some briefly.

  • The powerful mining town mentality of the townspeople comes through strongly.
  • It is worth reading just for the beautiful use of language.
  • The sense of isolation for all three main characters is a brooding presence throughout.
  • A sense of the inevitability of the ending carries the reader along – not wanting it to happen, but resigned to the fact that it must end that way.

Overall, a brilliantly written work, told with compassion and finesse. And it’s an entertaining read as well.

Reference:

Lefevre, Carol, 2007, Nights in the asylum, Random House Australia, North Sydney

Book review: “Bird by bird” by Anne Lamott

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I bought this book some time ago but only recently finished reading it. I had read about it in many other books about writing. Everyone raved about how wonderful the book was and so I thought I’d treat myself.

I must say that, as a book about writing, it disappointed me at first. I guess I was looking for another guide book about writing, giving step by step instructions on how to write a novel, or a short story or whatever. This book is not like that. It is not something one can read from cover to cover and come away knowing everything there is about writing.

Instead, it is the kind of book that creeps in  under your guard, sneaking into your pores and inhabiting your inner writer. The sub-title is very revealing: “Some instructions for writing and life.” Ah, so it’s about more than merely being a writer. Anne Lamott uses a broad brush and paints a wonderful, yet challenging, picture of the writer’s life and how life experiences can and must impact the writing.

I enjoyed reading this entertaining book, but it left me with a suspicious mind. I suspect I’ll get far more out of it on a second and subsequent readings.

Reference:

  • Lamott, Anne 1995, Bird by bird: some instructions on writing and life. Random House, Anchor Books, New York.

Review: Better than the Witch Doctor

Mary Cundy is an amazing woman. I have never met her, but after reading her book I feel as if I know her very well. I read this book as background research for my Master of Arts in Creative Writing thesis novel and exegesis essay. Although it did not have a direct bearing on my novel it was fascinating reading and it gave me a good feel for the setting of my novel. In fact, she lived for a time right where my novel is set.

In 1957 Mary Cundy, a young social worker in England, obeyed the call of God on her life and travelled to the mountainous country of Nepal. At this time very few outsiders had ever visited the country, let alone work there as a Christian missionary. For the next 33 years she served in remote parts of the country bringing medical help to the local people, even though she had no training in the field.

Scene from our lodge in Monjo, Nepal

Scene from our lodge in Monjo, Nepal

She lived with the people in their villages in very poor and demanding conditions. She quickly started a dispensary, helping over 100 very ill people daily. She graphically describes the daily lives of the village people and the struggles she had coping with their medical needs, physical needs as well as making small inroads into their spiritual needs. As a Christian missionary, however, her work was frequently hampered by officialdom (it was forbidden at the time to proselytise), suspicion (the local witch doctors were very powerful) and mistrust (she was often the first non-Nepali person locals had seen).

This is a very encouraging book. Not only is it a good read, I found it amazing how God can take ordinary people like Mary, put them in impossible situations, and produce extraordinary lives.

As far as I can determine, this book is sadly no longer in print.

Reference:

  • Cundy, M 1994, Better than the witch doctor, Monarch Publications, Crowborough, East Sussex.

Further reading:

  • My travels in Nepallinks to my travel blog, includes many photos taken in Nepal.
  • Writing a novela series of articles about how I went about writing my novel for children set in Nepal.
Ama Dablam, Nepal

Ama Dablam, Nepal


Review “The Turning” by Tim Winton

The Turning - Tim Winton

The Turning - Tim Winton

Tim Winton is arguably Australia’s leading writer at the moment. Four times winner of our most prestigious Miles Franklin Award, Winton stands alone at the top of Australian literature. His most recent award was for his highly acclaimed novel Breath. I read this last year and made comments on my blog here.

It was with great anticipation then that I took his collection of short stories The Turning away with me on a beach holiday just before Christmas last year. This book is a collection of twenty short stories set largely in rural Western Australia. The rural settings evoked by these stories spoke strongly to me as I grew up in a similar setting here in South Australia. Much of what he wrote about was familiar and comfortable territory.

What makes this an interesting book is the interconnectedness between many of the stories. While each story stands alone, each also has connections with other stories. Sometimes the setting is the same. The same characters keep appearing in different stories. Different characters relate the same incidents from their perspective. It is clever and intriguing writing.

While the settings are most definitely a strong point of the collection, the characters are also strongly drawn. You could walk into any country pub anywhere in Australia and find one or two people just like Winton’s characters. He certainly has a strong grasp of the Australian character.

Very enjoyable reading.

Highly recommended.

Further reading:

Reference:

  • Winton, T 2006 The Turning. Pan Macmillan Australia, Sydney


What I am reading: Eyeing Everest by Steve Tolbert

Writing a novel: a writer’s journal part 26

Eyeing Everest

What I am reading: Eyeing Everest by Steve Tolbert

I must admit that a little over a week ago I had never heard of author Steve Tolbert. My supervising lecturer recommended I have a look at least one of the books written by this American born writer now living here in Tasmania, Australia. I managed to buy online an as-new copy of his novel for teenagers called Eyeing Everest. It arrived two days later.

Fifteen year old Meika lives in Hobart Tasmania, the setting of the first half of the novel. She has never met her father, and her relationship with her aunty is stronger than the one she pretends to have with her mother. Early in the story her natural mother tragically dies. The following few months as she adapts to life with her aunty are chaotic and rebellious as Meika befriends the enigmatic Ted on the streets. They both spiral deep into trouble until a letter arrives from her father who has lived in Nepal since before she was born.

Within weeks Meika finds herself swept up in the splendid beauty of the Himalayas and adapts to life with a family she never knew existed. Not only are the mountains amazing in their beauty, they are treacherous to live in. She struggles to come to terms with her new environment, new relationships, new customs and the emotions these all engender.

It was an interesting and very satisfying book to read.

My novel is also set in Nepal and so I read with interest how the author tackles his setting. In 2006 I trekked the area in which he has set his story, so that gave it extra meaning for me. He gave me some ideas that I can include during my rewriting, especially in relation to references to food. This was one area I had already identified as needing some changes. More importantly, Tolbert has inspired me to write another novel set in this enigmatic country. I must focus on my current work in progress first.

Further reading:

References: