The death of Gwen Meredith
Another well known Australian has left this world; Gwen Meredith. I missed the announcement earlier in the week. I grew up listening to her world record making radio serial Blue Hills, continuing to listen to it well into adulthood.
Australian playwright and author Gwen Meredith has died at the age of 98, after creating the world’s longest-running radio serial.
She wrote radio plays, docos and serials in a 33-year relationship with the ABC, gaining prominence with The Lawsons, which ran for five years and 1,299 episodes in the 40s.
Soon after, she began writing country family saga Blue Hills, which went down in the record books for lasting 5,500 episodes and more than 27 years. Meredith wrote every episode.
While I was an avid listener, my mother was the really devoted fan. She would tune in to ABC Radio at 1pm every day, Monday to Thursday. I usually only listened to it in the school holidays but still didn’t miss much because each episode was repeated every evening. Of course we always joked that you could miss several weeks of episodes and not really miss out on anything because the plot seemed to be slow moving.
Quintessentially Australian
There is nothing like it on radio or television these days. It was the quintessential Australian country story, and it was no coincidence that it followed immediately after “The Country Hour,” a news, information, and opinion programme aimed at farmers. The story followed the lives, loves, tragedies and hardships of several rural families. I remember my father lingering just a few more minutes to listen if he was working close enough to home for lunch. If he was working further away from home and had taken his lunch, tuning in on the trunk or ute radio would have been irresistable.
Unusual Writing Method
Gwen Meredith had an unusual method of “writing” her radio scripts for Blue Hills. She would first record them on to tape. The tapes were then transcribed by ABC staff into typed scripts, ready for the cast to use in recording the programmes.
The passing of a great Australian
I was shocked, like many others, of the tragic death of Steve Irwin, the “Crocodile Hunter.” In all the news hype however, I was pleased that the passing of a truly great Australian was not overlooked.
Colin Thiele 1920-2006
Colin Thiele, the much loved South Australian author and poet, died this morning. He was the author of over 100 books, many of them for children. He was also very influential in our education system, serving first as a teacher, then as a principal and finally in one of our leading teachers’ colleges training young teachers.
His most famous work for children was the novel “Storm Boy” set in the world famous wetlands area known as The Coorong. This story was later made into a highly successful film. Several of his other novels were also made into films and one of them into a television series.
I only ever had the privilege of meeting Colin on one occasion, that being at a poetry writing conference. I shared a special bond with him; both of us celebrated our birthday on November 16th.
Literary Hoax
An interesting – and rather disturbing – literary hoax has come to light recently here in Australia. It involves the writing of our only Nobel Prize for Literature winner, novelist Patrick White.
There has been much talk in the blogosphere about The Weekend Australian‘s sting (or stunt, depending on your point of view), whereby the paper sent 12 publishers chapter three of Patrick White‘s Nobel prize-winning novel The Eye of the Storm, changing names, the title and giving White the pseudonym ‘Wraith Picket’.
Ten rejected the submission (some suggesting Wraith join a writers’ group or buy a how-to book!) and two didn’t bother replying.
I am not sure what to think of this stunt. At first I was amused, but on reflection I was rather incensed. It is hard enough to get published as it is without one of our major newspapers carrying out such a pointless stunt. One could come to the conclusion that today’s raft of publishers do not really recognise great writing when they read it. I’m not an expert on the writings of Patrick White so can’t comment on the acclaim accorded his work.
On a more worrying note the current debate here in Australia – and probably elsewhere too – is that publishers no longer publish works of literature for the sake of publishing great writing. Most publishers work only on the “bottom line,” that is – will it make money? Market driven publishing and great literature seem to be mutually exclusive. I guess that one cannot blame the publishers for always seeking to make a profit.
Where to for writers of literary novels in an increasingly small market like Australia? The harsh reality is that writers like White probably would not get published today. Work like his just does not sell in sufficient numbers to be economically viable.
And what about the hundreds of struggling Australian writers trying to break into the published world? It must be discouraging to think that the writing of even one of the “greats” of Australian literature was rejected out of hand by today’s publishers. In my opinion, this hoax has done nothing to develop the Australian literary scene. It has possibly sent it even closer its seemingly inevitable demise.
To read more click here.
The British Have No Taste
I always thought that the British had no taste.
Now I have proof.
A survey of readers has voted JK Rowling the “Greatest Living British Writer”.
JK Rowling has been voted the greatest living British writer in a survey published by The Book magazine.
The Harry Potter creator, whose stories of the young wizard have sold over 300 million copies worldwide, received nearly three times as many votes as Discworld author Terry Pratchett in second place.
They have confused popular with greatness. Because something is popular doesn’t make it great, or even worthy. In a moment of weakness several years ago I actually read the first of the Harry Potter series. I shouldn’t have bothered. Oh, I suppose it is a mildly entertaining read, but great it definitely is not. It would not be listed in my best 100 books written for children.
For the full story click here.
Writing Advice from a Published Author
Australian fantasy writer Kate Forsyth has thirteen published books to here credit and a string of fans around the globe. She is a guest speaker at this year’s National Science Fiction Convention, Conflux 3 being held in Canberra.
In an interview on ABC News Online (Arts and Entertainment) Kate advocates the three Ts for writing success:
Talent
“The first of these is talent, which I think you are born with and which I think manifests itself in a love of language, a love of books, the fact that you read and write a lot from a very young age, a particular love of the sound and meaning of words,” she said.
Technique
“The next T is technique, and I think technique can be taught and I think there are an awful lot of authors out there who have raw talent but haven’t learnt their technique, and I think there are quite a few writers who have very little talent but have worked hard and acquired the technique.
Tenacity
“The last of the three Ts and perhaps the greatest is tenacity, because you have have all the talent in the world but if you get discouraged at the very first rejection you get and you never send out anything again then you’ll never be published.”
She goes on to warn about sending out writing to publishers before it is ready. She often revises her writing through three drafts, with some sections being reworked up to thirty times.
She concludes by saying that fantasy is hot at the moment, but that storytelling is as old as civilisation.
“If you go right back to the dawn of civilisation the storytellers around the campfires were always telling stories of heroes and monsters and magic and God and miracles, this is the stuff of human storytelling,” she said.
Good story tellers will always be in demand.
I need to stop blogging for a while and start some story telling of my own.
Updated November 2013.