Archive for the 'Fiction' Category

Book review: The Valley Between

THIELE The Valley Between HC

Book Review: The Valley Between by Colin Thiele, published by Rigby Publishing in 1981.

Biography

Last week I reviewed the official biography of Colin Thiele. You can read that review here. I found this biography to be very interesting and quite inspirational. Thiele was a prolific writer despite also being a full-time teacher and a much-in-demand public speaker. In his day, he was a much-loved author, particularly regarding his works for children of all ages. His new books were always eagerly awaited and sold out quickly. I believe that his writing is still held in high regard, though many younger readers have probably not heard of him. Even younger teachers may not be aware of the huge contribution Thiele made to Australian literature.

Inspired

After reading his biography, I was inspired to reread some of his works. I have a few in my own library, but for some titles, I had to go to my local public library. Not all of his books are available here locally, so I am grateful for the provision of interlibrary loans. (We have access to all the books held in public and some school libraries throughout our state of South Australia.)

The Valley Between

One of the books I choose to read was The Valley Between a novel for children set in the mid-north of South Australia in the 1930s. The valley in the title refers to the Barossa Valley about an hour’s drive north of Adelaide. This is a world famous wine region. Thiele grew up a short distance north of this valley. He was born in 1920 and so this book very much reflects his boyhood experiences and exploits. It would be interesting to know how much is from personal experience, and how much is from his very fertile imagination. This story roughly continues from his earlier and better-known novel, The Sun on the StubbleBoth were later adapted into a television series. Probably his best-known work is Storm Boy which later became a very popular film of the same name. A remake of the film is under way this year (2017).

Vignettes

The narrative of The Valley Between is mostly in short vignettes of the happenings in the life of the protagonist, Benno Schulz. Each chapter is an episode in itself, but the over-arching storyline follows Benno’s first experiences after leaving primary school. In those days, many children did not go on to secondary or tertiary education.

While each chapter can be read in isolation just like a short story, several characters appear in each episode, intersecting with the life of Benno as he grows up on a farm near the imaginary town of Gonunda. The town is quite clearly reflective of the town of Eudunda where Thiele grew up. There is a statue of Thiele in a park of the town.

German influences

Many of the characters in the story are descendants of the German settlers who came to South Australia in the 1800s. Thiele uses their distinct dialect, a mixture of English, German and mash-ups of both languages to great effect. He has even included a glossary of German words at the back. I, too, have the same heritage, so the language is easy for me to read. Contemporary readers may struggle a little until they get used to it. This is a small price to pay for reading this delightful story. Many incidents are laugh out loud moments as Benno gets into all kinds of adventures, both deliberate and inadvertent.

Descriptions

Colin Thiele is known for his rich descriptions of the environment in which his stories are based. His words sing with metaphors and similes which bring his settings to life. His wonderful characters come to life through his words and their sometimes bizarre actions and attitudes. While I have said that this book is somewhat episodic in structure, the narrative carries the reader on to the satisfying conclusion.

When I first came across this title in a list of his works, I thought that I had missed reading this title. On getting about half way through, I realised that I had read it, albeit several decades ago, possibly when it was first published. It is well worth tracking down a copy to read.

Further reading:

Colin Thiele

The importance of revising your writing

A love of writing

One of the reasons I am a writer is that I really enjoy the process of writing. I love the creative process that occurs when an idea pops into my head. It does not matter if it is a poem, a short story, a novel, a blog post, a non-fiction article or even an email to a family member, the same joy of creating is there. This joyful feeling is what keeps me going. It has enabled me to write almost three and a half million words in the last twenty-four years. It has kept me pressing on while spending over twenty thousand hours at my computer keyboard.

The unexpected creative process

One of the exciting things I find about writing, especially when writing fiction, is that I discover unexpected outcomes via the creative process. I might have a general idea of where the story is heading, I may even have a clear plan of the plot, when suddenly a character does or says something unexpected, out of character or just plain startling. The plot can take some bizarre and unplanned twists when this happens. I even find that my thoughts can be railroaded into a side-track when writing blog posts or other forms of non-fiction. It’s all very exciting.

A Problem

As fascinating as this is, such a sudden turn of events, or change of direction, or unplanned content to one’s writing can have a serious repercussion. The writer can get seriously off-track. A short story about a woman’s struggle with depression (yes, I have had one such story published) could take off in the direction of telling all the woes of her childhood. This is back-story; it is probably not necessary in a 2000 word story. In a 100,000 word novel – perhaps.

The importance of revision

I have discovered over many years of writing that revision is crucial to the whole process of the art, as is rewriting, editing and proofreading. I should write articles on all of these aspects of writing – and I probably have over the years. (You can find them by using those terms in the “search” box at the top of the page.)

In this article, want to focus just on “revision”.

What is Revision?

The process of revision can include the following:

  • Reading back over the piece of writing, checking for errors of fact, especially in non-fiction. It can also be crucial in fiction, too; you can’t have a character using a mobile phone if the story is set in the 1960s – unless it is a time travel story, but then, the phone wouldn’t work.
  • Correcting the wrong use of words, or constant repetition of words and phrases.
  • Recasting sentences which demonstrate poor grammar.
  • Checking for spelling mistakes and typos (though this is usually regarded as editing or proofreading, two other important processes of writing).
  • Deleting a sentence, a paragraph or even as much as a whole chapter which is unnecessary to the whole work. In one novel I wrote, I had to delete large chunks because it read like a travelogue and didn’t advance the plot.
  • Rearranging the order of sentences, paragraphs or chapters to create a more logical flow.

How other writers revise their work

I have included only a few ways in which one can revise your writing. There are many different ways of doing this important process. Each writer is different, and individual writers can vary their own approach, depending on what they are writing.

I recently came across an article 12 Contemporary writers on how they revise. Each writer has a different approach to the same process. At the end of each writer’s segment, there is a link to further articles on that writer, including blog posts, podcasts, interviews and more. I hope that you find it useful.

Further reading:

 

 

A new fantasy imprint launch

Narnia, Middle-Earth and the Kingdom of God.COV DRAFT A_23.10.20

Melbourne-based publisher Morning Star Publishing will launch its new fantasy imprint this coming Friday 16th December 2016. The new imprint, to be known as Stone Table Books, will focus on publishing new and exciting books in the fantasy genre. Devoted readers of the Narnia series by C.S. Lewis will understand the symbolism encapsulated by this imprint’s name.

At the launch, the imprint’s first two titles will also be launched. Both titles have been written by the eminently suitable Mark Worthing who is an author, and pastor of Immanuel Lutheran Church in North Adelaide, South Australia. Fantasy has long been a passion of his. He has taught the writing of fantasy literature at tertiary level as the former head of the faculty of Humanities and Creative Writing at Tabor Adelaide.

The first title (with cover art shown above) is Narnia, Middle-Earth and the Kingdom of God: a History of Fantasy Literature and the Christian Tradition. This title explores the fascinating, and arguably, symbiotic relationship between Christian faith in all its manifestations, and fantasy literature. I will be posting a more thorough review of this book in the next few days.

The second title to be launched is also by Mark Worthing. It is Phantastes: George MacDonald’s Classic Fantasy Novel as retold by Mark WorthingThis modern retelling of an iconic work of the mid-1800s makes this significant novel far more accessible to today’s readers. Once again,  I will give a thorough review of this title in the next few days. The cover artwork is shown below.

Launch details:

The launch of the new imprint, as well as the two titles mentioned above, will take place this coming Friday 16th December 2016, at Immanuel Lutheran Church, 139 Archer Street, North Adelaide, South Australia at 6:30pm for a 7:00pm start.

The editor of Stone Table Books and the CEO of Morning Star Publishing will be present to talk with prospective authors.

Tabor Adelaide Creative Writing programme and Stories of Life Competition will also have information stands on the night.

Come and celebrate the launch of these two books, as well as the launch of Stone Table Books. Drinks and nibbles provided.

Please note that there will only be cash sales on the night. The books may also be ordered via the publisher’s website (see below).

Links:

phantastes-cover

More short story starters

Over the years, I have posted many of these articles. They have become some of the most popular posts on this site.

These story starters are designed to get your creative juices flowing. We all have those dreaded times when we just can’t think of an idea to write about. These story starters are designed to get you going. You may end up not using the exact wording I have given. You may even change any names I have used. The setting I have proposed could also change. It is really up to you. Accept my ideas if they suit you; change what doesn’t ring true for you.

These short story starters could be used exactly as I have suggested. They could be the start of a story which you finish, polish up, rewrite, edit, proofread and send off to a journal or magazine or even a writing competition. Or, you may just use some or all of these ideas just as writing exercises – warm-up writing attempts to flex your writing muscles before your work-in-progress gets attention for the day. It is entirely up to you how you use these ideas. Or not.

Short story starters:

  1. Frank found what he was looking for, but not where he had expected. He felt totally perplexed. How did it get in the washing machine?
  2. It was moments like these that Greta enjoyed. The sudden appearance of her best friend in the cafe opened up the day to untold opportunities.
  3. How on earth could Harry complete this task in the time allotted? He knew that his fate was in his own hands. What he did in the next hour would determine the course of his life, one way or the other.
  4. ‘What are we to do now?’ asked Ingrid. ‘That was the last chance we had.’
  5. Finding her husband lying on their bed in his pajamas was the last thing Jenny expected that day.
  6. Karen raced to the check-in desk and stopped. Hardly able to breathe she waved her boarding pass and waited to be served. ‘What if I’m too late?’ She suppressed the thought and smiled.
  7. Tony and Lauren knew from the first day that it was going to be a struggle. Despite the challenges ahead, they stepped out believing that they were up to the task set before them.
  8. At the beginning of the week, Murray had believed that he was on top of the workload for the month. What he hadn’t foreseen was the accident.
  9. Naomi blinked. She couldn’t believe what she had just witnessed.
  10. The children ran screaming towards the open door. They crowded around the visitor, jumping and reaching towards the box he carried.

Conditions of use:

  • Feel free to use any of the story starters listed above.
  • Change anything to suit your needs.
  • Give it your best shot.
  • Edit your work carefully before sending it off to a publisher or posting it on your blog.
  • Let me know in the comments section how it went.
  • If you publish your story on your website or on your blog let me know so I can make a link to it for others to read.
  • Now start writing.

Good writing.

Trevor

Book review

To Kill a Mockingbird

To Kill a Mockingbird by Harper Lee.

I must say from the beginning that this is more of a personal response than an actual review. I have done many book reviews on this site over the years, and I plan to continue writing reviews from time to time. So much has already been said about this novel that what I could possibly add would be lost in a very crowded space.

Why did I read this book now?

I had always intended reading this classic. I just never got to read it. Throughout my other life as a primary classroom teacher here in South Australia for 35 years, I mostly read children’s books. After one disastrous event, I always made it a personal policy to read a book myself before reading it to my class. It had to be suitable and appropriate for those in my class. Now in retirement, I am enjoying being able to read anything that interests me. Because of all the hype about Harper Lee’s recently released second novel, Go Set a Watchman, and her more recent demise, I thought that it was about time I focussed my attention on her classic.

I am pleased that I did.

Classic status

I am not a good judge of what constitutes a classic piece of literature. I will leave that to the experts in the field. As with art, I am more of the “like it” brigade; I know what I like, and if I don’t like it but others do, then that merely shows a difference of taste and opinion. Let’s not get too upset with one another.

By any of the standards that I judge a book by, this has to be a classic work. It certainly has stood the test of time and is possibly more popular and more widely read than ever before. It is certainly well written and engages the reader like any great book should. It has memorable characters that stay with you forever – or certainly for a long time after reading. It has a simple premise and an intriguing plot. The story line carries the reader on, always turning the pages to see what happens next. I could go on, but I promised a personal response.

My response to this book:

In the previous paragraph, I indicated some of the elements that make this book a memorable classic work of literature. While I certainly concur with all of these statements, for me this book was far more than that. It has left a lasting impression. It is a glimpse into the times and culture of a small American town in the 1930s. It has made me realise the importance of the little events of life which have such an impact on ordinary people. I couldn’t help thinking of my own period of growing up in a small Australian farming community in the 1950s, and comparing the two.

Racial tensions

The most outstanding theme of this book – and arguably what makes it so outstanding – it the author’s portrayal of the racial tensions of the times in which it is set. The contrasts are stark. The legacy seems to be ongoing. (That’s if I read the current American culture correctly.) The inequalities and differences between all levels of society are certainly drawn starkly, and the reader is left in no doubt about those divisions.

Australian literature

Australia has been largely free of racial tensions until the last few decades. And so far, we do not have an outstanding classic work of literature which has addressed the obvious tensions in our society. Layered upon that is the multicultural aspect of modern Australia and we have a simmering melting pot. Our country is ready for such a work as this. Or am I being too critical of Australian literature? The only works which seem to come close to Mockingbird would be Kate Grenville’s The Secret River and David Malouf’s Remembering Babylon. Remember, though, I have not yet read widely in classic Australian literature, so listing only two titles seems rather inadequate.

Conclusion

In summary, I can now understand why To Kill a Mockingbird has received so many accolades. I can appreciate its place in the annals of American literature; indeed, it stands tall in the literature of the world. It is one of those books which should appear on every “Top 100 Books You Must Read” list.

One question remains: Did I enjoy the book?

To that I give an unqualified “YES”.

Readers

Questions for my readers:

  • What are your responses to this book?
  • What about the book did you enjoy – or hate?
  • Leave a few comments, please.

Good reading – and good writing.

Trevor