Archive for the 'Poetry' Category

What I am reading: Les Murray – a Life in Progress

Yesterday I wrote about having read a great deal of the poetry of the Australian poet Les Murray. This was in preparation for writing a research paper for one of the units I am studying for my Master of Arts in Creative Writing.

In addition to reading many of his poems I also reread much of a biography about Les Murray. This book, Les Murray: a Life in Progress was written by Peter F. Alexander and was published in 2000. I picked up this volume from a remainder table in a large Sydney bookshop several years ago. It is fascinating reading.
It is little wonder that Murray writes with such passion. His childhood was extremely unhappy and the family struggled in poverty on a dairy farm near Taree in the mid north of New South Wales. His schooling was limited and his mother taught him to read before he attended school. He was a voracious reader with an incredible memory, matched only by his insatiable curiosity. All of these attributes have served him well throughout his poetic career as he draws on so many ideas from his reading for inclusion in his writing.

His mother died when he was only 12 and this sad event had a lasting effect upon both Les and his father. He wrote many poems about those tragic times later in life. When he attended Taree High School he was constantly bullied and ostracized. Again, this proved fertile ground for his poetic pursuits. Once Les commenced at Sydney University he began to blossom as a person and as a poet. He quickly established himself as an emerging poet. In fact, his writing took precedence over his studies; he hardly studied at all and took nearly a decade to complete his degree.

He tried various jobs which would help support his young family, but he never really enjoyed any of them. Eventually the proceeds from his books – he has had over 30 books of poetry published so far – plus income from various fellowships, awards and prizes went some of the way to providing for his family. Without the income from his wife’s teaching he would not have been about to continue his prolific output of writing over such a long period of time.

One aspect of Murray’s poetry I found difficult at first was the form that much of it takes. He uses rhyme sparingly, and when he uses it, he is not always consistent. Another interesting aspect of Murray’s poetry is the irregular metre of much of his poetry. If one is looking for a set metrical pattern in his poetry you will often be disappointed. There are exceptions, of course, and they are usually more noteworthy for its inclusion.

Because Murray grew up in rural New South Wales, he has drawn on his knowledge and many of his experiences of farm life for his poetry. I believe that Les Murray is the quintessential Australian landscape poet. Other poets may be able to capture the essence of the Australian landscape, but none have been able to do this on a consistent basis over such a length of time and in so many poems.

One of the strengths of his poetry is the process by which Murray incorporates the Australian fauna a flora in a natural, unforced way into his poetry. I believe that one of the strengths of the poetry of Les Murray is his ability to take everyday objects or incidents, and explore them in verse. Even the simplest thing – taking a shower – is material for his poetry.

Reference:

Alexander, Peter F. 2000. Les Murray: A Life in Progress. Oxford University Press, South Melbourne.

Further reading:

  • Les Murray: a extensive archive of articles about Les Murray, including copies of many of his poems.

What I am reading: the poetry of Les Murray

My Master of Arts in Creative Writing course requires quite a deal of reading as well as the writing assignments. Last term I had to write a research paper on a well known poet. The focus had to be half on the life of the poet with the balance being an analysis of the poet’s work.

I chose to study the Australian poet Les Murray. He is regarded internationally as one of the most talented poets currently writing in English. He is arguably regarded by many as Australia’s best poet. That is a big claim and, having read fair slabs of his poetry in recent weeks, I would have to concur.

I found it challenging to obtain a true grasp of the scope of Murray’s poetry. It is so vast, so broad in subject matter and he has probably been Australian’s most prolific poet to date. It is hard to summarise and categorize such an extensive oeuvre. Despite this difficulty, some themes do stand out. It can be said without contradiction that his poetry is rich and amazingly diverse.

He is also acknowledged as a master of linguistic dexterity, playing with words like a child building a magnificent structure with simple toy blocks. I believe that Les Murray is the quintessential Australian landscape poet. Other poets may be able to capture the essence of the Australian landscape, but none have been able to do this on a consistent basis over such a length of time and in so many poems.

Bibliography:

Murray, L. and Lehmann, G, 1965, The Ilex Tree. ANU Press, Canberra.

Murray, Les, 1983, The People’s Otherworld. Angus and Robertson, Sydney

Murray, Les, 1987, The Daylight Moon. Angus and Robertson, Sydney.

Murray, Les, 1996, Subhuman Redneck Poems. Duffy and Snellgrove, Potts Point.

Murray, Les, 1998,  New Selected Poems. Duffy and Snellgrove, Potts Point.

What I am writing: sonnets

One of the units I am currently studying for my Master of Arts in Creative Writing is on writing poetry. One of the expectations is that we write at least one poem each week in preparation for the tutorial after each lecture.

The poem each week is usually in a different format. We are expected to print off enough copies for each of the students in the tutorial group. We then take it in turns to read out our poem and it is then workshopped – that is, the other students and the lecturer critique the poem or poems.

While this was a little threatening at first, as I have progressed through the course I have come to appreciate how useful such a process is in developing my poetic skills.

Last week we looked at several sonnets by such classical poets as Gerard Manley Hopkins. We then had to write our own sonnet using one of the traditional forms of sonnet, such as that used by Shakespeare for example.

For readers who are not familiar with the sonnet form I’m not going to explain it here. There are many more qualified people than me who have explained the various forms of sonnet on their websites or in books on poetry. All I will say is that I attempted to write a 14 line sonnet, all in iambic pentameter with the following rhyming pattern: abab cdcd efef gg.

I realised early in the week that this is one form of poetry I had never attempted before. It was going to be a challenge.  I am pleased that I managed to rise to the occasion and produce a poem that my lecturer suggested I send immediately to our major daily newspaper. The theme was very topical. So far it has not appeared, but the lecturer has also suggested I submit it to the college annual anthology for consideration.

I was so taken with my little piece of success that I immediately wrote another sonnet.

I think I’m in love with the form!

Good writing.

What I am reading: Australian Ballads

This semester at university I am doing a unit called Themes in Australian Literature. This unit is actually an English unit but I need to complete two units of English as a part of my Master of Arts in Creative Writing. Like the unit on English literature I studied last semester I am finding this unit very stimulating. It has been many years since I formally studied any Australian literature. Some of the texts and writers are completely new to me; I have heard of them but have not read any of their work. This is about to change.

The first topic we are looking at include the ballads. We looked at particular at the writing of early colonial writers like Henry Lawson and AB ‘Banjo’ Paterson. When refreshing my memory this week of the well known ballads of Paterson like The Man from Ironbark and The Man from Snowy River I just had to read them aloud. There is something special about these wonderful ballads that demands being read aloud.

One day I may even try writing a ballad.

Good writing.

Drafting poetry

Over the last five decades I have written many hundreds of poems. Several dozen of these have been performed in public or published in magazines and quite a few have been self-published here on this blog.

How do I go about writing my poetry?

Usually the idea for a poem comes to me in the form of either a striking image, a special word or phrase or even a whole line. I usually carry a notebook with me (so I can record the birds I see for writing about on my birding blog). This notebook will often contain a few notes on the image seen or the words that came to me. Sometimes the whole poem is scribbled out in this notebook. When I do not have a notebook handy (a rare occurrence) I will grab any convenient piece of paper and jot down a few words or ideas. This becomes the first draft of the poem.

Sometimes that is where the idea stops.

During the second and subsequent drafts I may use the same notebook or piece of paper or even start typing it on to my computer. Here it may go through many drafts before the finished poem is ready for the world. Many never reach this far and lie languishing in notebooks or on misplaced bits of paper or whatever; they may never be reworked and are essentially still-born.

Poetry notebook

This year, at the suggestion of my lecturer in poetry, I have changed my approach. I have purchased an A5 size spiral notebook that I carry with me everywhere, waiting for inspiration. Here I jot down ideas and drafts of poems, interesting images I come across and a record of any phrase, lines or sentences I may want to rework into a poem sometime. I also work through the editing process of each poem in this book. It is easy and convenient to go back through this notebook and see how each poem has changed and developed.

Final draft

It is only in the final draft that I type up the poem on my computer. This is in complete contrast with the method I use when writing stories and novels, as I explained yesterday. Interestingly, most of my poetry these days is written in pencil. I find the tactile approach works best for me and a pencil feels much better than a ball point pen.

I’d like to hear from my readers how you go about writing poetry. Leave your comments below.

Good writing.