Archive for the 'Reviews' Category

Movies about writers: Paris when it sizzles

A few days ago I watched the movie “Paris when it sizzles” starring William Holden and Audrey Hepburn. Amazing as it may seem, I cannot recall ever seeing this well known movie before. Why – I cannot explain. If I have seen it, it must have been a long time ago because it was like coming to a movie for the first time.

What a romp.

I haven’t laughed at a movie as much since first seeing “The Gods Must be Crazy.” (I still laugh every time I see that movie and its sequel.) The makers of this movie must have had a ball making it; how the actors kept straight faces using all those cliches that screen writers and directors love so much. Just about every type of movie gets the treatment; from horror through to romance and everything in between. The improbable plot is a tour de farce of moviedom.

Screenwriter:

William Holden plays the part of a screenwriter. He has had months to write the script of a new movie but has frittered away both his time and the advance he was paid. The script is due in two days. So, in desperation, he employs a secretary (and wannabe writer) played by Audrey Hepburn to help type the manuscript.

Unlikely plot:

Between them they concoct a series of preposterously unlikely plots. As the film cuts to each scene they think up, the pace increases until they are finally satisfied with the movie. It is interesting that the act of creating a story is shown vividly in this movie – more so than any other I can remember.

Storyboard Technique:

At the very beginning Holden paces around the room laying out sheet after sheet of paper, each sheet representing another scene, another twist in the story, another problem to be solved. Trouble is – he has absolutely nothing written or drawn on any of the sheets of paper. This storyboard technique is well used in movie production and is increasingly employed by writers.

In this method, the writer adds minimal text or draws quick sketches on each sheet, each piece of paper representing a scene, or chapter or other section of the story. In this way the writer can see a visual representation of the story line, possible problem areas and places where the plot deviates unnecessarily. It is a very valuable technique to use when helping children to write, and is also employed by illustrators of children’s picture books. These days, many authors use sticky labels instead of sheets of paper, rearranging them as they sort out their thoughts and plot ideas.

Movies about writers: Breakfast at Tiffany’s

I recently watched the movie “Breakfast at Tiffany’s” for the first time in many years. In fact, it has been so long since I last saw it, I’d forgotten most of the story line. It was like coming to an old friend and meeting for the first time – or something like that.

Until pointed out by my daughter, I did not realise that the character played by George Peppard was a writer. This seems somewhat incidental to the plot, however. We certainly hear very little about the writing process in the movie, and rarely see him actually writing. Early in the movie, Holly Golightly (Audrey Hepburn) observes that he does not even have a ribbon in his typewriter, so he mustn’t be much of a writer. When he does sit at his typewriter I was amused to see him using basically only two fingers. Some writer.

Still, despite the drawbacks, he does have some limited writing success, receiving a cheque for fifty dollars as part of the story. I guess he never felt the urge to take his writing seriously. His wealthy sponsor ensured he rarely had time for actual writing anyway.

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Book Review: Against a Peacock Sky

Against a Peacock Sky written by Monica Connell. Published by Penguin Books (Viking) in 1991.

Monica Connell grew up in Northern Ireland and is an anthropologist who went to live in a rural village in Nepal. She lived and worked for two years with a Nepali family, sharing their celebrations, their hardships, their food and their hard labour in the fields to provide a subsistence living. One family took her in, sharing their everyday lives on a very personal level with her, allowing her to virtually become one of the family.

Monica witnessed first hand the villagers’ way of life. She learned how to care for the animals, how to plant and harvest rice and the best way to hunt a boar. She relates the significance of their many religious ceremonies, beliefs and festivals. She relates – without any hint of being judgmental – the importance of various customs employed to appease the local gods in order to have a successful crop or produce healthy animals.

This is a fascinating account of life in rural Nepal as it has been for many centuries and had remained largely untouched by outside influences. Here and there in her narrative, however, there are hints of change in their somewhat cloistered existence. Outside pressures were beginning to show. For example, one young man finds work building roads in nearby India, and he leaves permanently. The old ways were beginning to change, and I suspect if the author returned to that village today there would be many more changes apparent.

I would suspect that this book is now out of print. I bought mine via the internet as a used copy after I had experienced a touch of Nepali life when I went to visit there in 2006. To read more of my impressions of life in Nepal, go to my Travel Blog, then go to the Contents on the sidebar, or click on several of the Categories, also on the sidebar.

Movies about writers: Finding Neverland

The recent movie Finding Neverland (released in 2004) starring Johnny Depp and Kate Winslet is a somewhat fictionalized version of a part of the life of British writer J.M. Barrie. The movie’s plot is focussed mainly on the friendship the author had with the children of Sylvia Llewelyn Davies. It is a moving film about the author’s struggle to maintain his credibility as an author while his marriage is beginning to crumble. At the same time his friendship with the children and their ailing mother brings some lighter, happier moments to his life, and inspires him to write his classic story Peter Pan, the work for which he is best known.

The movie never really deals much with the process of writing except for several scenes where Barrie is shown in the park writing in a notebook. What is understated is Barrie’s ability to take real life situations and use these experiences to fantasize and dream. The young Freddie Highmore as Peter does a superb job as his character struggles to come to terms with the death of his father and his mother’s illness. He is Barrie’s inspiration for the character Peter Pan, the boy who never wanted to grow up.

I found it a strangely moving film. The pace is slow, the dialogue introspective and the atmosphere somewhat moody. It shows very well that, for many writers, their personal lives impact strongly on their writing lives. The oft quoted mantra by teachers of writing, “write what you know” is clearly illustrated through this film as Barrie draws on real life situations to inspire his writing. It also shows the power of dreaming and the potency of using one’s imagination, even in the face of tragedy.

Links: Finding Neverland – the official website, including the trailer.

Movies about writers: Moulin Rouge

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A movie I very much enjoy watching is Moulin Rouge starring Nicole Kidman and Ewan McGregor. It is lively, fast moving, entertaining with uplifting and inspirational music.

Ewan McGregor plays the part of Christian, a penniless starving writer who desires to write about love. There is just one problem; he’s never been in love. He moves to the Moulin Rouge in Paris and begins to write his great love story, tapping out the words on an old typewriter while living alone in the classical writer’s garret.

He meets Satine, played by Nicole Kidman and instantly falls in love, not knowing she is a courtesan. Of course there are many complications but I won’t bore you here with them; see the movie or read an outline of the plot here. (It doesn’t give the ending).

Not only is it an entertaining movie but it also gives some insights into the writing process. It is hard, lonely and often difficult to become established as a writer. Set in an era when sponsorship of writers was the norm it highlights the struggles of a young, enthusiastic but inexperienced author.