Book review: “Bird by bird” by Anne Lamott

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I bought this book some time ago but only recently finished reading it. I had read about it in many other books about writing. Everyone raved about how wonderful the book was and so I thought I’d treat myself.

I must say that, as a book about writing, it disappointed me at first. I guess I was looking for another guide book about writing, giving step by step instructions on how to write a novel, or a short story or whatever. This book is not like that. It is not something one can read from cover to cover and come away knowing everything there is about writing.

Instead, it is the kind of book that creeps in  under your guard, sneaking into your pores and inhabiting your inner writer. The sub-title is very revealing: “Some instructions for writing and life.” Ah, so it’s about more than merely being a writer. Anne Lamott uses a broad brush and paints a wonderful, yet challenging, picture of the writer’s life and how life experiences can and must impact the writing.

I enjoyed reading this entertaining book, but it left me with a suspicious mind. I suspect I’ll get far more out of it on a second and subsequent readings.

Reference:

  • Lamott, Anne 1995, Bird by bird: some instructions on writing and life. Random House, Anchor Books, New York.

I would love to write a book

Today’s quote:

“I would love to write a book, but unfortunately, I don’t have a pen.” (Unknown source – it came to me from a Facebook friend)

We might laugh at a saying like this, but for some people, any simple excuse is enough to stop them from writing. Some common excuses are:

  • I don’t have enough time.
  • The timing is wrong – I’ll wait until I retire.
  • I don’t have a good computer.
  • I don’t know what to write about.
  • I’m too busy.
  • I’m too tired after a day at work.
  • I have nowhere where I can write.
  • I don’t have a pen.

You get the drift?

Excuses. Excuses. Excuses.

If you want to write a book, you actually have to start putting words down on paper – or at least in the hard-drive of your computer. There is no other way. Books will not write themselves. (Someone reading this in my archives in 50 years time might be able to argue that point, but I won’t be around to defend myself.)

So you want to write a book?

Good. Now stop reading this – and start writing (but don’t forget to come back here tomorrow; I’ll be waiting for you).

Good writing.

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Adelaide Writers’ Week Day 1 Feb 2010

Adelaide Writers' Week 2010

Adelaide Writers' Week 2010

Today I attended the first day of the Adelaide Writers’ Week for this years’ Festival of Arts. This is an important and well attended part of the biennial Adelaide Festival of Arts. This time it’s the 50th Anniversary of the Festival and this week our premier announced that from 2012 it will become an annual event (a promise if he is elected again in a few weeks time!)

Adelaide Writers’ Week is regarded highly as the leading festival for writers in Australia, and one of the best in the world. A large group of international and Australian writers gather here every two years  for a feast of talking about books, writing and literature.

I’ve only ever had the chance to attend once before and I am the poorer for this. (Because sessions are held during the day I couldn’t attend while I was still classroom teaching a few years back – in another life.)

Today the festivities were opened by none other than Tom Keneally (Schindler’s Ark), a very engaging and entertaining speaker. I didn’t realise he had such a clever wit and sharp humour.

Below I’ve included some photos of the setting in the Pioneer Women’s Memorial Gardens, a five minute walk from the heart of Adelaide.

I am planning to attend again tomorrow and later in the week. I’ll bring more reports as we go.

Adelaide Writers' Week 2010

Adelaide Writers' Week 2010

Adelaide Writers' Week 2010

Adelaide Writers' Week 2010

How does this happen? Confessions of a book lover.

The biennial Adelaide Festival of Arts starts today. This feast of cultural events is now a well established event in South Australia, celebrating 50 years of festivals  this year.  It has maintained a world class standard for festivals since its inception. This week there have been political promises to make it an annual event – we have a state election here in 3 weeks’ time.

Writers’ Week

A very prominent and popular part of the Adelaide Festival of Arts is Writers’ Week, starting tomorrow. Several dozen leading Australian and International writers descend on Adelaide for this festival. Several large marquees are set up in the beautiful parklands and the writers are given centre stage for a whole week. Most sessions are free events for the reading and writing public, a rare thing these days. Book launches are also a prominent feature of the week, along with the announcement of a raft of awards.

Programme Guide

I plan to attend a number of sessions next week so during the week I wandered into a leading bookshop in Adelaide to buy the programme guide. The price was $7 and I thought that wouldn’t break the bank or drain the wallet too much.

How come then I come out of the bookshop with six books in a bag?

Those wonderful novels – some in hardback – were sitting there on the bargain tables quietly whispering my name and begging to be taken to a good home. I couldn’t resist.

As part of this confession, and to atone for my misdeeds, I’ll read those books over coming weeks and then review them here on this blog. It’s the least I can do.

Good reading.

Good writing.

To read more about my impressions of the Adelaide Writers’ Week click here.


A special birthday present

It was my birthday two weeks ago.

At the time I treated myself to two new books to read when I go on a beach holiday in a few weeks’ time. I also received a book voucher from my book loving daughter. I managed to use the voucher last week. I bought myself a copy of the recently published Macquarie PEN Anthology of Australian Literature. Its launch was covered in controversy, not so much for what or who was left out but rather what was included. It generated quite a deal of debate about the whole concept of what can and cannot be classed as literature.

Forget the debate. I’m looking forward to dipping into this mighty tome over the next few years, revisiting some old favourites and hopefully discovering some new works or authors to dig deeper into. At over 1400 pages of smallish print it is not light bed-time reading.

Reference:

Jose, N, 2009, Macquarie PEN Anthology of Australian Literature, Allen and Unwin, Crows Nest.