Writing a novel – a writer’s journal part 16: progress report

I had a fantastic day of writing today.

I actually completely finished a whole chapter. Chapter 12 of my novel for children is now finished and it leaves the reader dangling ready to turn the page to the next chapter. I have been trying hard to finish each chapter on an exciting high like this, enticing the reader to keep turning the pages.

Stopping at a high point of drama like this also helps me as a writer. I’ve planned what happens next already. The scene is not yet complete and so I have the perfect launching point for tomorrow’s writing session.

I have set myself the goal of 600 words per day over the last month. This goal will remain in place for the rest of September too. Over the last four day, however, I’ve managed to achieve just shy of 4000 words, 1990 of them today, my most productive writing day in a long time. I’ve not only passed the half way mark of 20,000 words, I leapt over the 22,000 word marks as well. The feeling is great.

An even greater feeling is that the story and the characters are really taking over. The momentum has been building now for several weeks. The plot is now an unstoppable vehicle heading for the climax.

Good writing.


Some Myths and Facts about Publishing

I found this interesting article on a blog written by an American literary agent.

Myths vs facts of publishing by Rachelle Gardner.

It has some very interesting things to say about agents, and about getting an agent to represent you, and about getting published.

The many reader comments are worth reading too.The agent writing this blog is a committed Christian; in fact, she is actively seeking fiction which ‘does not contradict a Christan worldview.’

Pity we have no agents like her here in Australia.

Good writing.


Writing a novel – a writer’s journal part 14: Progress on my novel

Progress on the novel

Yesterday I had a great day of writing progress. I achieved over 3200 words including 1160 words on my novel for children. It felt great.

Some days are like that-the words just seem to fly off the tips of my fingers on to the keyboard. I love days like that.

Then there are days when I grind and grind and groan and whine and nothing seems to flow and I feel terrible. Life’s like that as a writer-sometimes you get in the zone and sometimes you don’t.

On the bad days when writing anything is like torture, it is important to remain focused and not give up. When I persist during the tough times I then have the satisfaction of achieving something. Even if I only write a few hundred words I will have made progress. It’s all about maintaining that momentum.

Good writing.


Story endings

Quite often I get readers of this blog leaving questions in the comments section. That is great and I appreciate the feedback and try to help people with their writing problems.

Occasionally I also get readers leaving ideas from which I can benefit too. This is also great. Louise was one such reader today. Here is what she wrote:

You’ve just solved my problem! I have lots of short stories written – but with no ending! I get ideas for stories but then they sort of fizzle out.

Just for fun, I am going to create my own ‘final sentences’ and maybe something will click and maybe, they’ll trigger more ideas for short stories!

Thanks!

It must be a little discouraging to have lots of unfinished stories. Please, please, please don’t throw them away. They could well be the seeds of longer works later.

Another suggestion is to leave an unfinished story filed away for a few weeks or even months, then come back to it with almost “fresh” eyes and ears. You read that correctly – EARS. Read the unfinished story out loud – better yet – get someone you trust to read it to you. That story will have been ticking away in your subconscious for ages and might well be ready to mature into a complete story. The creative mind can be quite amazing at times.

Another suggestion: a commonly used technique is to ask the simple question: “What happens next?” or even “What if…?”

And how about “interviewing” your main character? You might be surprised what that character will say, or come up with.

You could also ask yourself the question: “What does the main character really want? What motivates her? How will he get what he wants? And what or who is hindering fulfilling those wants or desires? These could be triggers to get you writing again.

Hope this all helps.

Good writing.

Related article:  Short story endings


Writing a novel – a writer’s journal part 11 – plot

Where is my story going? Some thoughts about plot

A few nights ago I had a restless time in the early hours of the morning. I had been working hard on my children’s novel. I had written 400 words in the hour or so before retiring. This had drained me emotionally and mentally. I took a while to go to sleep; the mind was too active. Several hours later I more or less woke up knowing why I had been struggling with the story.

The story was going nowhere.

Sure-I had a vague idea of some of the plot. I knew the major events that I wanted to incorporate. I roughly knew where it was going and how it would finish. I just basically didn’t know how to get there.

In a flash of inspiration-despite the fog of being only half awake-I knew what the problem was. I hadn’t asked the protagonist some fundamental questions. (Hint from one of my lecturers: if you don’t know where to go next, ‘interview’ your protagonist. Thanks, Claire)

I needed to know the following:

  • What does my character need or want above all else?
  • What worries my main character? What is he afraid of?
  • What or who is stopping my character getting what he wants?
  • How will he overcome these obstacles and who can help him?

Once I had a clear understanding of the answers to these questions, plot ideas started to suggest themselves and the story became alive. The main character started to take over and I just had to take a back seat and let him drive the story. It’s exciting when that happens.

Plotters and Pantsers

Writers tend to fall into one of two camps, plotters and pantsers.

Plotters are meticulous planners. Plotters have an idea for a story and then plan, plan, plan. The read and research their theme and topic and revel in their discoveries. They draw up story boards and plan extensive character studies. They fill note books and sticky labels with all kinds of detail. For some of them, the research and planning is far more exciting and satisfying than the actual writing. I would imagine that crime writers in particular need this approach, or there will be too many loose ends at the end of the story. A very real danger in this approach, however, is drowning in a whirlpool of information.

Pantsers are almost the complete opposite. They have a great idea and rush to their keyboard and start typing, often with little regard for planning and really just writing by the seat of their pants-hence the name ‘pantsers’. Plot? What plot? Oh-that will take care of itself as I go along. The big problem with this approach is the brick wall that the writer rushes headlong into after three or four chapters. After the initial flurry of enthusiasm and inspiration, the writer suddenly comes to a screeching halt in front of that wall-what happens next? Often they have no idea where to go with the story. They don’t have a plan. There is no plot.

There are advantages and disadvantages to both approaches. I tend to be a ‘pantser’, especially with short story writing. With the shortened forms of fiction writing one can afford this luxury. With novels it is crucial to spend more time planning, researching, plotting and doing character outlines and so on. With my current novel I am trying to do more planning and plotting as I can see the benefits of doing so. It doesn’t come easily but I’m trying.

For a good discussion on the pros and cons of these two approaches see:

For more articles in this series go to Writing a Novel – a writer’s journal.

Good writing